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Akimbo has barreled their way through the United States and Europe over the last seven years with all the fervor of a terrible demon army bent on conquest. Forging a path of righteousness with a thunderous sound and a menacing presence in today's underground rock scene, Jon Weisnewski (Bass/Vocals) and Nat Damm (Drums) have solidified a unique and devastating sonic battle axe left embedded in the skulls of their enemies. 2006 saw the last of a long list of personnel changes with the addition of Aaron Walters (Guitar). The formidable three-piece is now tighter and stronger than ever, as if under the influence of a mad alchemist’s serum, concocted to lend inhuman might to their sound and stage performance. Hand picked for the Alternative Tentacles roster by Jello Biafra, they encompass everything that has made rock, punk, and metal a dangerous sound for the last 50 years.. Hungrily devouring the corpses of Led Zeppelin, Black Sabbath and The Who; dissecting the still quivering bodies of Black Flag and The Jesus Lizard; infusing the essence of the still beating heart of The Melvins, Akimbo has so far released four pounding albums on Alternative Tentacles, Seventh Rule Recordings, Dopamine Records, and Rockandroleplay Records. With a relentless touring schedule and an ever growing nation wide fan base, the Akimbo juggernaut is bent on leaving audiences a stunned, deaf, shuddering mass. Be warned: The pin on the party grenade has been pulled. Combining the massive bottom-end of the mid-90's stoner rock movement (see: Kyuss, High On Fire) with the raw, unbridled force of the current crop of Louisville hardcore bands like Breather Resist and Lords, the quirky edge of classic DC post-punk, and bringing it together with a loose, bluesy attack reminiscent of early Zeppelin, Akimbo is a force to be reckoned with. - Scene Point Blank A heavy and challenging record that never loses track of the punk rock aesthetic. - Delusions of Adequacy Spit and venom flies from the speakers when you listen to their whiplash combo of Sick of it All–style fury and obscenely heavy riffage inspired by three decades of thrash, stoner sludge, and classic Brit-metal. And that's nothing compared to Akimbo's legendary live show, where you might consider yourself lucky to escape with all limbs and internal organs intact. Forget about your hearing, though. - Seattle Weekly I was wrong. I said things I shouldn’t have. I was presumptuous; I was hasty. I retract previous comments. None before and none after can be this good. - Punknews.org Akimbo are back with another hearty ass-kicking that will remain a paramount moment of their recording careers. Inspired by an infamous and bizarre legacy left from a string of shark attacks which occurred in the Garden State some 92 years ago, Jersey Shores isn’t just metal, hardcore, punk rock, or whatever genre you can boil a band down to. Instead, it is a pure reminder as to why rock and roll was so hated when it first arrived (loud, riotous, rebellious, and defiant are just a few words that come to mind). Recorded over a three week period at Headbanging Kill Your Mama Music in Louisville, KY with Chris Owens (Coliseum, Breather Resist) while the band subsided on a diet of ramen, frozen pizzas and, of course, beer, Jersey Shores isn’t the heavy/loud music that you would steal from the tape deck of your older brother's ’87 Ford Escort. Not only is it an abrasive assortment of gliding guitar riffs on steroids with guttural growls but it's also a hideous hybrid of doom and noise core that takes no prisoners while its big hairy balls hang out. Make no mistake, history will see Jersey Shores as the moment where Akimbo joined the elder statesmen of all that is loud and untamable in music. There can be no more suitable home for a band like Akimbo and a record like Jersey Shores than Neurot Recordings, a label representing all that is loud and untamable in music. |
Tour Dates coming soon |
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